by Scott Morris  
Photography by Elise Rinta  

Scott Morris is a writer living in Jackson.  Elise Rinta is a junior from Oklahoma City with majors in Anthropology and Spanish.  She has been an Office of Communications intern.

 
  Millsaps graduate David Majure, B.S. 1997, tells of waking at 5:30 each morning, riding in a truck along bumpy roads to the second largest Mayan archeological ruins in the Yucatan, and working at the site into the late afternoon alongside Mayan descendants.  Sometimes he packed a lunch, though as often as not he would share a meal with the Mayans, a corn and bean tortilla and a little Coke or water to wash it down, then back to careful excavations.  By night, he slept in a small house, comfortably perched in a hammock, reading or dreaming of the weekend during which he might jaunt off to Belize or some other exotic Central American locale.  It was real Indiana Jonesing, he says, minus Nazis and the Ark of the Covenant.  Of course, for David Majure, it was also college.     Millsaps has never been your ordinary college.  Routinely ranked as one of the best liberal arts colleges in the country, it should come as no surprise to discover Millsaps students trekking about the Yucatan like something out of a J. Peterman catalogue.  Millsaps prides itself on equipping its students with the best education possible and will go to almost any length to get the job done.  Let other schools pack seventy or more warm bodies into a freshman literature course to be taught by a graduate assistant, Millsaps does things differently.  Its pedagogical principles are intimate and enduring —  Millsaps believes in putting great students together with great professors.  In the case of the Millsaps Interdisciplinary Center for Cultural American Studies (MICAS) program, the pedagogy can sometimes be adventurous as well. 

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Millsaps Magazine  |  Millsaps | Last Edited April 27, 1998