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Syllabus,
Fall 2007
The
Evolution of Style in Western Music
MUSC 2100
.jpg)
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Instructor:
Dr. Lynn
Raley
Phone: X 1423
e-mail: raleyhl@millsaps.edu
Office:
AC 248
Meeting times: MWF
11:00-11:50, Th 9
Location: AC 152
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GENRES
to recognize by sight
Know the identifying characteristics
of the following genres:
-
organum
duplum, organum triplum, organum quadruplum
- the clausula
- the motet (and
its relationship to the clausula)
- the conductus
(how is it different from a motet?)
- the Petronian
motet
- the isorhythmic
motet (what's an isorhythm?)
- the isorhythmic
mass movement (Machaut, in our book)
- the ballade
- the virelai
- the rondeau
- the ballata
- the caccia
- the part song
(English)
- the estampie
COMPOSITIONS
to know by ear (name
composer where known)
-
Haec
dies
-- organum duplum (Leonin)
-
Sederunt
-- organum quadruplum (Perotin) [NetJuke
only]
-
Lonc
tens ai mon cuer / In saeculum
-- motet
- Huic main / Hec dies --
motet
- A Paris / on parole / frese
nouvele -- secular polytextual motet
-
Flos ut rosa
floruit -- conductus
-
Je
cuidoie / Se j'ai / Solem -- "Petronian"
motet (by Petrus de Cruce or in the style of Petrus
de Cruce) [NetJuke
only]
- Kyrie from Messe de Nostre
Dame (Machaut)
- Je puis trop bien -- virelai
from the Ars Nova (Machaut)
- Tout par compas -- rondeau
from the Ars Subtilior (Baude Cordier)
- Ecco la primavera -- ballata
from the Trecento (Landini)
- Non al suo amante -- 14th.
c. Italian madrigal (Jacopo da Bologna)
- A post messe -- caccia
(Firenze)
- Doctorum principem / Melodia
/ Vir mitis -- isorhythmic
"civic" motet (Ciconia)
- Sumer is icumen in -- English
part song (canon)
- La quinte estampie real
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