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Philosophy of Film's Favorite Films Spring 2006

 

CONTRIBUTORS ARE LISTED ALPHABETICALLY

Will Hehemann's Top Ten

On Her Majesty's Secret Service (Peter Hunt, 1969)
To Catch a Thief
(Alfred Hitchcock, 1955)
Spellbound
(Alfred Hitchcock, 1945)
8 1/2
(Federico Fellini, 1963)
Lawrence of Arabia
(David Lean, 1962)
Bottle Rocket
(Wes Anderson, 1996)
The Man Who Would Be King
(John Huston, 1975)
Castle in the Sky
(Hayao Miyazaki, 1986)
Black Orpheus
(Marcel Camus, 1959)
Citizen Kane
(Orson Welles, 1941)

Steve Smith's Top Ten

L'Atalante (Jean Vigo, 1934)
The Awful Truth (Leo McCarey, 1937)
The Seventh Seal (Ingmar Bergman, 1957)
The 400 Blows (François Truffaut, 1959)
8 1/2 (Federico Fellini, 1963)
Dr. Strangelove (Stanley Kubrick, 1964)
Days of Heaven (Terrence Malick, 1978)
Kagemusha (Akira Kurosawa, 1980)
The Pillow Book (Peter Greenaway, 1996)
Magnolia (Paul Thomas Anderson, 1999)

Austin Tooley's Top Ten

Lawrence of Arabia (David Lean, 1962)
Bottle Rocket (Wes Anderson, 1996)
His Girl Friday (Howard Hawks, 1940)
The Quiet Man (John Ford, 1952)
Notorious (Alfred Hitchcock, 1946)
Paths of Glory (Stanley Kubrick, 1957)
The Searchers (John Ford, 1956)
The Seven Samurai (Akira Kurosawa, 1954)
Lord of the Rings III: The Return of the King (Peter Jackson, 2003)
The Manchurian Candidate (John Frankenheimer, 1962)

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PHILOSOPHY WEEKEND 2006
Photos and other memories from the Department of Philosophy’s 2006 retreat at Gray Center.

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